Santa Barbara, CA / April 2000
Before this next story, I'd like to explain a little about my duties on the road. On tours of theaters and auditoriums when Ed opens for another artist, like this one with Ani Difranco, I would be at the merchandise table when the doors first opened, selling Hamell On Trial CD's and t-shirts. Of course, to audiences that have never seen Ed perform, it's a little hard to move merch. However, sometimes kids are nice enough to stop and talk, maybe ask questions. (To define terms: at my advanced age, "kids" refers to anyone aged teenager to mid-20's.) This tour was when I invented my one-line explanation of the
Hamell On Trial experience - "It's a four man punk band rolled into one bald, sweaty guy." The kids would laugh, somewhat condescendingly, and go into the show. After Ed's set they would return raving and I would be vindicated.

During Ed's opening sets, Ani's merch girl Heidi (the second nicest person I've ever met in the music industry) would watch our table. I would be at the side of the stage tending to technical screw-ups, broken strings, knocked-over microphone stands, etc. (see Davis, California / April 2000). I would strike Ed's equipment from the stage and head back to merch, where I would remain until the end of the night, selling fantastic amounts of product (we hope and pray).


Santa Barbara is in Reagan country. The downtown area is quiet and very ritzy, Gucci shops and small exclusive jewelry stores. It's a Republican blueblood stronghold. We should have expected trouble.

The show that night is a raver. Ed's on top of his game - he's berating latecomers to the front row, there are jokes galore, and The Meeting is a blazing finish. I'm feeling really good back at merch. CD's are selling briskly. All of a sudden one of the ushers, an extraordinarily well-dressed woman in her 60's with more jewelry on than any volunteer usher I have ever seen, actually shoves the kid I'm helping out of the way and demands, "Are you with this person?" She taps one of Ed's CD's with a bejeweled finger. I reply that I am and she launches into a highly animated tirade about how Ed's performance was "one of the most foul-mouthed exhibitions of obscenity she's ever witnessed in the Arlington Theater." I tell her "Thank you," that I'll communicate her concerns to Ed, and go back to conversing with the nice kid she shoved.

She muscles the kid aside
again and says, "I don't think you understand me, young man, I said that is one of the most obscene displays I've ever seen. A young girl set off pepper spray in the restroom in protest." At this point I have severely lost track of the conversation, especially the pepper spray protest segment. I have to move some merchandise to the crowd before Ani comes on and they split for their seats, so I again thank the woman and say I'm sorry she didn't enjoy the show.

She starts right back in about obscenity and that she can't understand what I'm thanking her for. I finally cut her off with, "Ma'am, I'm thanking you because I didn't come 2000 miles from Ohio to fight with ushers. It's the nicest way I can get you to move aside and let me do my job, which is selling CD's and you're interfering." She starts back in about the pepper spray and I say, "Ma'am, I'm gonna say this the nicest way I know how, in the immortal words of Hamell On Trial, could you please just go fuck yourself?" 

We've drawn quite a crowd by now and the kids start to whoop and applaud. Her eyes go wide with rage and she spins on her heel. "I'm getting the police, you're going to jail." she spits back over her shoulder. Kids are shaking my hand, high-fiving me, telling me the ushers are always a pain like that, they hate rock & roll shows in their precious theater, nobody ever stands up to them, etc.  I'm a local hero. I'm selling CD's right and left.

Sure enough, the usher returns with an off-duty rent-a-cop and tells him she wants me arrested for obscenity. She starts telling the cop the pepper spray in the bathroom story and waving her arms around and he finally breaks in and says, "Lady, what are you talking about?" She goes back to ranting about obscenity and the cop turns to me and asks, "Do you have to be here?" I reply, "Yes, this is my appointed place to sell merchandise, I have to be at this table. Tell
her to go back where she belongs."

The cop asks the usher where her station is and she tells him the balcony. He tells her (I swear to God), "Lady, get your ass back to the balcony and leave this guy alone." Wild applause from the assembled throng, I'm a god.

By this time somebody has told Ani's crew I'm getting arrested out in the lobby. Ed and his manager rush out from backstage to see what's happening. Ani's on by that point, the crowd has gone to see the show and Ed says, "What's up?" I tell him I almost got busted for defending his honor and he grins, "Nice job."

My credit on Ed's live CD recorded during that tour reads - "Ricki C. was my roadie, he's from the West Side of Columbus, he takes no shit."  I fully believe it was drawn from that night.


All Material © by Ric Cacchione, all rights reserved.
BACK TO HAMELL
BACK TO RICKI C.